draft project

Kannada Sahitya

the canon, collected and sung

Collect and study the best of Kannada literature — Basavanna and the 12th-century sharana vachanas, the dasa sahitya of Purandaradasa and Kanakadasa with its music, Mankutimmana Kagga, and the modern masters — lyrics, recordings, and interviews gathered in one place.

A copy carries over only the public parts you see here — the owners' private files never leave their own vaults.

🚧 Draft — not final. This page was auto-generated as day-one scaffolding for the project and still needs a human pass before it reads as finished. The blanks and placeholders below are intentional — someone who runs this project should fill them in and delete this notice.

Vachanas — starter ten

The first task on the plan, made concrete. Ten 12th-century vachanas — the sharana poems that say the deepest things in the plainest Kannada — each with text, a translation that keeps the directness, and one good rendition linked. Basavanna first; his ankita (signature) is Kūḍala Saṅgama Dēva.

Fill the text from a trusted edition — the credibility of the shelf is in getting the Kannada right; don't approximate it.

# Poet Ankita / first words Theme Text ✓ Translation ✓ Rendition
1 Basavanna "the rich build temples for Shiva; what shall I, a poor man, do…" (the sthāvara / jaṅgama vachana) the living body as the true temple
2 Basavanna Kūḍala Saṅgama Dēva
3 Akka Mahadevi longing, renunciation
4 Allama Prabhu the riddling, mystical ones
5

(Rows 6–10: fill as the reading goes. Balance the three great voices — Basavanna, Akka Mahadevi, Allama Prabhu — before adding others.)

Why vachanas first

They're the sharpest entry to the whole canon: short, spoken, radical, and public domain by eight centuries. Get ten of these into the ear and the dasa sahitya list (its own doc) has a foundation to stand on.